Heirloom Spinning Wheels

Jul 20, 2009

My father told me that as a child he would sit by the fire watching his grandmother spin yarn in their farmhouse in upstate New York. A picture of the hearth with a spinning wheel beside it (on the right side, not the left) and a basket of wool carded into fluffy locks formed in my daydreams. The imagined silhouette of a woman spinning against the firelight burned itself into my memory.
For years, I hoped that wheel would surface as heirlooms were handed down. The small chair Dad sat in came to me, but no one living recalled seeing a spinning wheel. One hundred years after my great-grandmother’s birth a tiny snippet of her yarn was sent to me by a cousin from a small skein that survived. What a precious thread it is—still a crisp white, two-ply, spun evenly into fingerweight yarn with the perfect tension for knitting socks.
Last summer another connection to her surfaced in the form of old sheet music found among family papers. The words to this song are from the early 1900s and describe an industrial gentleman teaching female employees to spin.

With your thumb and your first finger
Draw a thread and twist it round!
While the foot the wheel turns lightly,
Let the hand the thread entwine
Gently guided, nimbly twisted
It becomes both strong and fine!
If you want your wages paid
You must earn them first, my maid.*

 After much laughter and instruction, the women sing

‘Tis too charming, ‘tis too cunning!
What a pleasant work is spinning!   

I like to think my great-grandmother cherished the times she spun yarn with her grandson looking on and would be pleased that her great-granddaughter continues the pleasant work of spinning in her stead.
Do you have a family history connected to handspinning? Oral stories are at risk of being lost unless you pass them on in your lifetime. I would love to share them in this column with our wider spinning community. Send a note or e-mail to spinnersconnection@interweave.com and keep the connections intact. As always, if you would like to have more news than can be shared here, send a self-addressed envelope with two ounces of postage to me at 7297 N. Range Road, LaPorte, IN 46350 and it will be returned with newsletters from groups around the world.

*Words from the song “Spinning Wheel Quartette” by Frederich von Flotow, from Martha, Act II, No. 8, Oliver Ditson Company, Boston.


+ Add a comment

Comments

on Sep 8, 2009 3:28 AM

This is very interesting,  I had just been thinking about culture.  What is my culture.....do I have a culture etc etc.

Of course spinning wheels are part of my ancestors tools....being of european descent.

Ephiphany...as a wool crafter...spinner....I am following in my culture.  Spinning is part of my cultural.art,,,,,it is my ancestral craft.

Being a fifth generation New Zealander, I have always wondered about culture.  Being born in a country  where the "culture" is important to the indigenous peoples of the land...I had somehow felt cheated by not being aware of my culture.....even so.....I found my way to spinning, weaving, felting,and dyeing therefore follwoing in the footsteps of my ancestors...which is culture.  Although my mother and grandmother knitted and crocheted......I still managed to find my way back to my beginings.

At nearly 60 years old I finally have my answer.....I am partaking in my own culture.  English language is culturally mine, woolcrafts are culturally mine.   Yay...I have found my culture.

JeanD@12 wrote
on Jan 29, 2010 8:56 AM

I can identify with this story! Very often I think of my female ancestors as I knit or spin or weave. The threads and yarns are a connection to the past for me. While I never met some of my great-grandmothers, I can imagine what they may have been like by doing some type of fiber work. All of my female ancestors stay "alive" for me because of the process of learning how to work with fiber.

My maternal grandmother arrived in Massachusetts from Finland as a young girl with her mother. They both found work in a woolen mill in Maynard. I cherish several tatted handkerchiefs and a cross-stitched linen made by Grammy.