This “time between the years” was very special. Many German traditions were connected to this time of year: special breads, cakes, cookies, and meals; festive clothing; music and gatherings; charity work; and much more.
I’ve explored different papers over the years, some with more success than others. The length of the fibers in the paper, the thickness of the paper, and the intended purpose of the yarn all contribute to success . . . or . . . not so much.
Megi Burcl’s Beacon Shawl is made in separate sections rather than using an intarsia technique.
Twist direction can be used to highlight or strengthen a special technique. As spinners, we can create a wide spectrum of qualities just by making changes in twist.
Imagine a tool that allows a drop spindle spinner to keep her arm in a comfortable, vertical position, with her hand mostly relaxed.
Discover new books on sheep shearing, natural dyes, and textile photography.
The heady question that flows through this annual natural fiber issue is, “What is wild?” In our spinner-centric world, does “wild” always mean fiber gleaned from nature?
In the Winter 2019 issue of Spin Off, editor Kate Larson explored the literal ground beneath a sheep’s fleece (um, feet).